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Capstones Shift: architectural legacies of the revolutionary period in Dublin

Capstones Shift

May – October 2016

First Floor Rooms

Past exhibitions

Black and whie photograph of the Custom House, Dublin, on fire taken from the roof of the National Gallery on 25 May 1921. The image is form the T.J. Byrne Collection in the IAA.

 Architectural legacies of the revolutionary period in Dublin

 

Capstones shift, nothing resettles right.
Telluric ash and fire-spores boil away.
Seamus Heaney, ‘Anything Can Happen’, District and Circle, 2006

The early 20th-Century Irish revolutionary period left many legacies, not the least of which was its direct impact on buildings. From the loss of buildings destroyed to the debates about how to repair the city fabric and on to the rebuilding itself, there is ample scope to reflect on the physical impact of the Easter Rising, the War of Independence and the Civil War, on central Dublin in particular.

This exhibition, with sixteen panels and over 110 images, draws on the holdings of the Irish Architectural Archive to focus on a selection of prominent Dublin buildings destroyed, or utterly changed, by the events of Easter 1916 and later. These buildings were central to myriad social, commercial, political and religious patterns of life. Their absence, or removal from use, would have had an immediate and disconcerting effect on the daily routines and interactions of thousands of ordinary Dubliners as they lived, moved, worked, prayed and entertained themselves in the post-Rising city: quotidian disruptions making unavoidable and unignorable the profound political phase-shift that had occurred.

Dublin was not the only place affected by the violent destruction of buildings. The centre of Cork was burned in December 1920, while over 275 country houses were attacked and destroyed between the start of the War of Independence and the end of the Civil War. But the shock of widespread building damage was first felt in Dublin and recurred more often, while the quality of some of the buildings destroyed, coupled with the fact that Dublin became the capital of the newly independent state, brought a particular intensity to the debates around loss and rebuilding.

 

Panel 1: Introduction

Panel 2: O’Connell Street 1916

Panel 3: The Dublin Bread Company

Panel 4: The Royal Hibernian Academy

Panel 5: The General Post Office

Panel 6: Compensation and Legislation

Panel 7: Rebuilding 1

Panel 8: Rebuilding 2

Panel 9: Liberty Hall

Panel 10: Nelson’s Pillar

Panel 11: Custom House

Panel 12: Four Courts

Panel 13: O’Connell Street 1922

Panel 14: Rebuilding post 1922

Panel 15: Urban Planning and the Church of St Thomas

Panel 16: Fantasy and Reality

 

This exhibition forms part of a wider programme of lectures, exhibitions, conferences, film screenings and publications presented by Dublin City Council and University College Dublin Decade of Centenaries with the support of The Department of Arts, Heritage and the Gaeltacht and in association with Architecture Ireland, Ireland 2016, The Irish Architectural Archive, The Irish Architecture Foundation, The Irish Film Institute, The National Inventory of Architectural Heritage, The National Library of Ireland and The Royal Institute of the Architects of Ireland.

The Irish Architectural Archive gratefully acknowledges the support of the Department of Arts, Heritage and the Gaeltacht in making this exhibition possible.

 

Previous Exhibitions

2025

The Architect as Artist: Paintings by Brendan Millar

Ireland House Tokyo

Karl Burke

to be filled

2024

Best Laid Plans: an exhibition by visual artist Mandy O’Neill

The Charm of K-Art

Neighbours in Space and Time: Grafton Architects at Sir John Soane’s Museum

The FNCI at 100

Chemins de migration

2023

The Coiffured

Little Republics

Remaking the Crust of the Earth

The Architecture of al-Andalus: Photographs by Michael Barry

Stirling Wilford and Associates, 1980-2000

Buildings End: An Ultimology Drafting Room

Architectural Presidents

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